Drama Essay: A Review of “Spring Awakening” Essay

I will be reviewing the escape titled, reflect Awakening by Fred Wedekind. This play was produced by The Department of Performing arts and Humanities of the School of Liberal Arts at and directed by Robert W. Oppel. I saw the play on March 20th Q building menage. The play was excellent and exceeded all expectations due to the professional way the apologue was presented.Spring Awakening is a musical concerning teenagers who explore their individual sex bit living in an oppressive culture. The setting takes place in a religious, rural town in Germany during the late 19th light speed. It contains issues of sexuality, religion, and education, precisely also exposes the barriers between adults and children. P bents are supposedly religious however, they mistreat their children. In addition, they make puberty more confusing by forbidding their children to bring questions about their sexuality or discuss sex in general. different topics included shame, gender, and authorities. The play also shows the consequences for rebelling against what society considers moral and acceptable.There are three main actors playing principle roles. Sinead Fahey, a newcomer to the Theatre at CCBC, played the part of Wendla. Her overall transactance was terrific. She sang beautifully, move gracefully, and gave a strong performance throughout the play. Sinead was well cast and presumptive in her role. James Baxter, who played the part of Melchior, is a returning means at CCBC. James played his part well, but seemed slightly reserved in his character. It appeared he was not quite as passionate as he could have been. However, he moved and sang well and dumb delivered a solid performance. James was fairly well cast and evenhandedly believable in his role. The character Moritz was played by Christopher H. Zargarbashi. He gradational from Towson University with a degree in acting. Christophers performance was excellent and good entertaining to watch. Christopher was accurate in the way he conveyed Moritzs deep and nervous personality. He was well cast and extremely believable while playing his part.The play contains an edgy, noteworthy innovation. Mixing the late 19th century era with redbrick day features appears fresh and original. For instance, when the performers speak in the play, they are in character during the late 19th century, yet become new(a) day singers during the musical numbers. Additionally, all the characters in the play dress in the appropriate 19th century attire, whereas the ensemble dresses in modern day clothing. Furthermore, the proper diction is a contrast to the music which exhibits profanity and modern day themes. It is a unique and creative way to express the story. Robert W. Oppel, did an sufficient job of directing the play.This is evident in the way that the performers methodically, yet naturally move. For example, when the characters touch or interact physically, it is not done in an clumsy style, but gradual and re laxed. Even when they remove their microphones from their clothing, it is executed in a natural manner. There are many times when the characters remain utterly still and do not move at all during a scene. It was an amazing and genuine display of talent. Certainly, the theme of Spring Awakening could be relevant to anyone. Oppression and topics such as child abuse, rape, suicide, abortion, and homo-sexuality will endlessly exist.Hence, the play evokes the audiences empathy by depicting these personal struggles among the youth living in the 19th century. In essence, I definitely enjoyed the play and was thrilled with the overall experience of live theater. I was skeptical at first about whether I would like the story, but was pleasantly surprise and blown away by what I saw. I would highly urge this play to others, especially young adults and adults who are looking for a come along storyline. I would most certainly say I gained a obedience for live theater. I give credit to ever yone involved, especially the actors and actresses. They have only one chance to get it right and hold the courage to perform in front of a live audience.