The Use of Series in The Big Sleep by Raymond Chandler Essay -- sleep

The Use of Series in The Big residuum by Raymond Chandler   In The Big Sleep, Raymond Chandler redeems items in a serial in almost every paragraph that does not include dialogue, occasions, in the schoolbook edition where Marlowe watches the other reference point do something like open and close a book or light a cigarette and flick the ash tree into a tray. When Chandler stops the dialogue to creates a space for Marlowe to record elements in the environment, he constructs reproves that indicate how Marlowe assimilates the information characters perform three or more than acts successively and Marlowe notices every movement, recording it at once. Therefore, Chandler builds sentences that contain as more separate acts as possible to reflect how fast the character performs the act, alternatively than isolate single actions in single sentences that break the action up. Specifically, Chandler builds sentences with items in a series to reflect continuous motion and mimic the track Marlowe perceives it. Series are economical and fast, pointing to the movement of the character and the way Marlowe thinks.   The series occur in paragraphs Marlowe narrates, sections before or after dialogue when Marlowe establishes the stove of the icon or moves the scene along. Chandler uses the construction when he describes the principal action in a scene. For example, chapter 17 opens with a paragraph that includes this sentence The son swung the car over to the box hedge in front of Geigers house, killed the get and sat looking straight before him with both hands on the wheel (99). In the paragraph, Chandler describes the inert environment with one compound sentence and two simple sentences. None of them contain a series. The sentence that ... ...es the scene correctly and as quickly as Marlowe sees it.   Chandler does not want to write a text that reminds the referee it is a text. Instead he wants to copy reality. He wants the r eader to follow Marlowe, look over his shoulder, and maintain a constant, attached point-of-view shot of the action. For this reason, Chandler uses series to simulate the rhythm and speed of real action. When a writer like Chandler omits words and replaces them with commas, ands, and ors, he makes the sentence concise and speedy. When one reads such a text, she understands two things about the scene how the character moves and how Marlowe perceives the movement. Chandler is sensitive to the relationship between the text, the reader, reality. So he creates a text that mimics real movement and real thinking. He uses series to carry the reader through the text.